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Avid Readers: Do We Have to Read the Classics?

6/9/2022

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I consider myself an avid reader. I am addicted to the written word. Like others afflicted with the same disease, my obsession manifested itself at a young age. When I was a teenager, I greatly annoyed my mother whenever we had company. No, I didn’t hide in my bedroom and read, even though that’s what I wanted to do. Instead, I sat on the couch with my nose buried in a book, paying more attention to it than to our guests.

And to this day, the urge to hide behind the pages of a book and ignore monotonous chatter is still there. However, I have it under control – most of the time.

What kind of sickness is this? The National Endowment for the Arts (NEA) quantifies an avid reader as someone who reads 50 or more books a year. Wow, that’s almost a book a week! Sorry, I read a lot but not that much. In a 2017 survey, the NEA discovered that not many people do; only five percent of readers met that requirement.

A more straightforward definition describes avid readers more realistically. It states that people suffering from this addiction read as much as they can, whenever they can. That’s more my speed.

A few months ago, I saw a comment in a Facebook reader’s group that insisted an avid reader should also be well-read. She questioned the validity of one reading only sci-fi or Harlequin romances as being equal to another person reading “real” literature such as Jane Eyre, Wuthering Heights, Les Miserables, or Frankenstein. She went on to say that readers need to have a selection of classics included in their “have read” collection alongside a mix of modern novels and nonfiction to be considered an avid reader.

Pardon me, but is there some kind of competition no one told me about? Does a person have to read Jane Austen or Louisa May Alcott to join the ranks of booklovers? How do you prove it? I could claim to have read Mary Shelley’s Frankenstein, and no one would know if that were true or not.

Actually, a 2013 study uncovered that more than 60 percent of people lie about reading classic novels. Fortunately, in this case, I’m not one of them. I really did read Frankenstein. Other than that, though, I’ve been fickle in the traditional literature department. In high school and college, I waded through Moby Dick, Scarlet Letter, The Red Badge of Courage, The Brothers Karamazov, The Great Gatsby, and other required reading. However, I don’t remember one thing about them. 
For pleasure, I’ve read an assortment of books by Mark Twain, Ernest Hemingway, Charles Dickens, and many other famous authors. Yet again, I couldn’t tell you anything about the books.
While researching this article, the idea occurred to me that maybe I should reconsider the types of books I devour. Instead of the cozy mysteries, fantasies, or historical fiction I generally turn to, perhaps I should try a classic or two.

According to expert opinions expressed on the worldwide web, the older literary works open a window to different worlds, cultures, and historical perspectives from the past. They’re more challenging than modern-day fiction and will make me feel better about myself once I have completed something more thought-provoking.

So, on a whim, I uploaded some old classics to my Kindle.

Little Women and Jane Eyre were pretty good. In Little Women, the dialog was unrealistic, and the plot moved along at a snail’s pace, but that was the writing style during the late 1800s. Jane Eyre was faster-paced and more interesting. At any rate, I did enjoy the stories.

One thing annoyed me, though. The attitude towards women bothered me immensely. So, when the same demeaning behavior repeated itself in the first chapter of Pride and Prejudice, I gave up on these classics and went back to solving crimes with Detective Chief Inspector so-and-so in my five-volume whodunit series.

I haven’t completely given up on the classics, though. I still have a few old tomes stored in my Kindle waiting for whenever I get the notion to expand my mind and dive backward into a forgotten dimension of time.

Until then, I’ll stick to my modern novels for my evening’s relaxation and entertainment.

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Gerald and the Wee People

6/8/2022

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Gerald and the Wee People transports the reader to another world where far-seers, firestarters, wizards, and magic really do exist.

Thalia Miller sums up the story in her Amazon review:
“16-year-old Gerald goes on a mission to save the Wee People that only he can see, and he takes his best friend, Vernon, and the reader along for this bumpy fantasy ride. The difficulty getting into the tiny village should have been a clue that this would not be an easy task, but Gerald cannot sit back and do nothing while the Wee People are being slaughtered by the monsters. And even if they are successful, will Gerald and Vernon be able to get back home?

So, buckle up and ride this twisty, windy rollercoaster as an unlikely group of friends go on an unexpected adventure through the forest to find and conquer the evil forest god. This book will remind you to never underestimate the power of perseverance and faith; not only in yourself but also in people you never knew you could trust. It’s ok to be different because there is power in diversity if you simply take the time to discover it. Great book for kids of all ages, 6 to 106.”
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Gerald and the Wee People - Book 1 in the Wee People series
Kindle - https://www.amazon.com/gp/product/B004JKMT0Q
Universal - viewbook.at/geraldandtheweepeople


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Don't Shoot the Messengers!

6/7/2022

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I read several posts today attacking authors’ fictional works that make me wonder what the world will be like in the future. The tunnel of acceptability is becoming so narrow that soon most fairy tales will be banned from the shelves. Authors will not be allowed to write directly about or allude to societal issues/beliefs. There will be no such thing as a metaphor for internal chaos. Instead, the literal, superficial words will be all that matter. No symbolism depicting the human condition.
 
How will we tell stories? Stories are not just entertainment. Stories are messengers. Stories are often meant to lead us to a more human and empathetic conversation about issues that are often difficult to address directly. They wend their way through the cracks in the rigid walls we have constructed within ourselves. These walls can be extreme in either direction. There are zealots on both sides, and both are impotent in terms of understanding.

Humans have this tendency toward “all or nothing,” and it is this attitude that deflects all attempts at compromise. It causes us to fail to resolve the very issues for which we believe ourselves champions. Freedom is not about stifling those who would try to stir up questions in our minds by slipping through the cracks in our walls.

The human condition will never be pristine. Can it be improved? Absolutely! But, not through the zealots or the book banners or the uninformed or the manipulators. Ethan Smith stated these types of people are “characterized by how they respond to information.” He contends there are four archetypes: idiots, zealots, elitists, and patriots.

Before we quickly label ourselves as Patriots, let’s look at the way in which these are defined by Smith:
  • Idiots avoid all new pertinent information in an attempt to maintain a limited, comfortable perspective.
  • Zealots believe they have “the answer.” They ask certain questions of certain information but ignore and dissociate from information that is unaligned to their pre-determined perspective.
  • Elitists question information in order to manipulate those who do not have that information, to their own benefit.
  • Patriots – true patriots – question information to educate themselves and share it with others in order that all may progress.

Few of us are true patriots these days. However, going back to the current attitude toward authors’ works — our assessment of writings is usually driven by one of the four states of mind listed above. Being in one of the first three categories makes it difficult to step outside it to view the world in a different way. Still, we must try. We may not always succeed, but one never-changing aspect of the human condition is that it will always be shifting and testing our resolve to be better than we are.

The bottom line is we need to try and understand that too many of us have long since moved beyond fighting for our collective freedoms. We have narrowed our boundaries to include only what is acceptable to us and fight to make others comply. In terms of books, why do you think the banning of books continues to cycle through our lives?

Freedom doesn’t simply rest on basic principles of not harming others or the planet. We have tightened the reins on every aspect of life – social, family, health, work, spirituality, personal growth, financial, communities. This is unacceptable because we are not all identical. We don’t have the same challenges or the same imaginations or the same dreams, to name just a few differences.
 
So, How Do We Deal with Our States of Mind?

The symbolism of the four wise monkeys is familiar to most of us: hear no evil, see no evil, speak no evil, do no evil. In recent times I have seen the fourth monkey’s symbolism shift from simply ‘do no evil’ to fear no evil. This is how we can rise above the archetypes of idiot, zealot, and elitist. Rather than simply not hearing, seeing, speaking, and doing no evil, we must ultimately FEAR no evil. It is our fear that stands in the way of our freedoms. It is our fear that makes us react with rage or violence or simply internal chaos. 

My husband used symbolism to write about fear. One of my favorite talks was titled: Dracula is Alive and Well in Your Life. He spoke about how we have attitudes and emotions that seem difficult to grab hold of because they are never the same from one time to the next and yet they seem to have power over us. They feed off of us, dragging us deeper and deeper into the darkness of negativity. The circumstances, the issues, are not always the same, but the underlying force is fear.

Only when we get up close and personal to our fear and symbolically drive a stake through its heart, as the story of Dracula reveals, can we rid ourselves of it. Our hearts are the seat of our emotions, our feelings, and this is where fear lives.

Returning to symbolism, the professor in the story of Dracula represents the part of us pursuing the vampire, the fear, and knows its weaknesses. What does this mean? It means that we must recognize the feeling of fear as a borrowed attitude. It is not you! It is not me! Then we have taken a step toward consciously choosing to take actions not motivated by fear. Those who rise up and call for books to be banned are acting out of fear, a fear that believes power over the situation is their only solution. Wrong.

The real solution is to choose, instead, to educate oneself through reading and not resort to seeking out things to disparage. Sharing one's opinion about books is fine, but striving to figuratively shoot the messenger serves no one. Authors are as unique as readers and no book will find a place with every reader, which is obvious when you read social media comments. 

So, whether reading nonfiction or fiction, hear no evil, see no evil, speak no evil, and 
fear no evil. Absorb the information, analyze how it impacts your personal knowledge base. If it positively affects you, share it with friends. If it clashes with what you believe, don't attack the author. Simply do not share it. With these actions, you have become a true patriot by defaulting to a positive stance for yourself and your friends, and perhaps influencing others outside your current sphere of influence in a positive fashion.


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Just a Quick Pet Peeve

6/3/2022

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As a writer I understand that writers are not perfect, and neither are editors. However, it doesn’t mean that as a reader, there aren’t things I see repeatedly across books that I feel create unnecessary confusion.
 
This one is the misuse of “shaking one’s head” versus “nodding.” Lately, I have seen them used interchangeably so often.
 
Shaking one’s head means to move from side to side as in signaling a negative response to another person.
 
Nodding means to move one’s head up and down, signally an affirmative response.
 
This is one of those things which creates a disruption in the flow for a reader when the character nods, and you know she would be giving a negative response. This holds true for a character shaking her head when the reader knows it supposed to be a positive response.
 
In real life, I doubt any author nods when asked if they’re guilty of something they didn’t do. Nor do I believe they would shake their head if their agent asked if they want to accept a million- dollar contract with a publisher.
 
Just an observation.

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Was There Really Someone Called Mother Goose?

6/2/2022

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I’ve mentioned my fond childhood memories of Mother Goose in other posts, so you’re all fully aware of my affection for the lady and her silly poems. The funny thing is, in all these years, I’ve never questioned whether or not the sweet storyteller was based on a real live person – until a few days ago. That’s when the dreadful thought hit me, have I been believing in a lie all this time?

If you’re from Boston, Massachusetts, the answer will be a resounding no. A well-known tombstone located in the Old Granary Burying Ground and dating back to 1690 proves the existence of the one and only real Mother Goose.

Mary Goose, the wife of Isaac Goose, supposedly authored the beloved nursery rhymes. Legend claims that Isaac’s second wife, Elizabeth, entertained her countless grandchildren and other children with her predecessor’s songs and rhymes and that her son-in-law, Thomas Fleet, later published the complete works of Mary in 1719. Yet no copies of this collection have ever been found.

It’s a lovely story, but unfortunately, it’s rather hard to believe. The Goose family could’ve very well been entertained by beloved nursery rhymes brought over from Europe, but the famous poems were not original compositions by Mrs. Goose.

Ironically, around the same time the Goose family lived in Boston, Martha Gooch worked as a nurse caring for newborns in Sussex, England. Through her many years of excellent service, she became known as Mother Gooch. Her nursing skills were in great demand, but Martha had one idiosyncrasy her employers had to endure. She would sing strange, senseless rhymes and songs to her sleeping charges. This habit led the parents to refer to Martha as Mother Goose.

One of her employers became interested in the nonsense poems and songs and put them together into a book he titled Ye Melodious Rhymes of Mother Goofe (Goose).

The reference to “Mother Goose” jokingly used as Miss Gooch’s nickname reached back in time to the eighth century. Bertrada II of Laon, the mother of Charlemagne, served the emperor’s realm as the patroness of children. Due to a malformation of her foot, she was better known as “Goose-foot Bertha” or “Queen Goosefoot.”

Later on, in seventeenth-century France, a woman who delighted children with enchanting tales was called “mere l’oye” or “mere oye” (Mother Goose). Charles Perrault published a collection of folktales in 1697 titled Contes de ma mère l’oye or Tales from my Mother Goose.  It was translated into English in 1729, thirty-six years before John Newbery topped the best-seller’s list with his Mother Goose’s Melody or Sonnets for the Cradle. Newbery’s collection forever changed the branding of Mother Goose from folktales to nursery rhymes and children’s poetry.

In the late 1800s, before he created his wonderful world of Oz, L. Frank Baum penned Mother Goose in Prose, a collection of twenty-two fairy tales attributed to everyone’s favorite storyteller. In the book, Baum traces the history and origins of Mother Goose. He concluded his essay with this statement:
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While I have taken some pains to record the various claims to the origin of Mother Goose, it does not matter in the least whether she was in reality a myth, or a living Eliza Goose, Martha Gooch or the “Mere Oye” of Perrault. The songs that cluster around her name are what we love, and each individual verse appeals more to the childish mind than does Mother Goose herself.

Need I say anymore?
 
 
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Chasing Shadows

6/1/2022

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Only the living are so persistent. The dead seem to understand that time is no longer an issue for them. 

Brita Madison is at best a reluctant psychic, and Chief of Police James Weston is the "poster boy for  conservative."  Can he accept the unimaginable?

Brita has found a sanctuary in Williams, Arizona, a refuge from the multitude of visions and voices that have chased her all her life. Then one vision touches her soul, and she finds herself embroiled in the middle of a missing person's case with a woman’s life at stake. Little does she know that this is only the beginning.

Brita's visions uncover a trail of murders centered around the historic Route 66. As Brita steps deeper into the world she has been trying to escape, she and Weston are in a race against time to identify the serial killer. This journey threatens to tear apart their lives as well as those closest to them.

"Chasing after the shadows left behind by sick minds was damaging to one's soul when you were just following the clues. Vicariously experiencing the trauma through visions like Brita's would have to tear at the very fabric of your being." – Chief of Police James Weston

Chasing Shadows - Book 1 in the Brita Madison Paranormal Mysteries series

Kindle: 
https://www.amazon.com/Chasing-Shadows-Madison-Paranormal-Mysteries-ebook/dp/B00SU5YV70
Paperback: 
http://www.amazon.com/Chasing-Shadows-Madison-Paranormal-Mysteries/dp/1507743491
​
Universal Link:
https://viewbook.at/ChasingShadows



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I will read forever because it lets me visit in my mind the worlds that I will never be able to see; it helps me put away the stresses of the day and relax into the rhythm of the story before me; it lets me bring to the surface and experience without regrets those feelings I hide away; it lets me re-experience the thrill of first love through someone else's eyes; it keeps my mind juiced so that it will never desert me; it is always there for me even when there's no one else. I will read forever no matter whether it is print or digital because the words will always call to me. ~ A Sassy Scribbler